Elliott Erwitt on seeing the photograph

When we look at a photograph we sometimes want it to be something else. We might say that we like this, but don’t like that; or I wish I could see more of this. In doing so, we miss what the photographer is trying to show us. At a recent craft show, I listened to a couple discussing which photograph of mine they should purchase. In one image, the chap didn’t like the two horses on either side of the image that were almost cropped out. Clearly, they were looking for their own image and totally missed what I was trying to show.

“A picture should be looked at – not talked about” Elliott Erwitt

Mother, Sable Island horses, NS

Sable Island horses at the NSDCC

On the 16th November, 2012 the Nova Scotia Designer Christmas Craft Show comes to the Cunard Centre in Halifax. This is a great craft show showing off the best of craft work from the Maritimes and beyond.

As in the past few years, I will be there exhibiting my limited edition work of nature images from the Atlantic provinces. Much of my work will be from Sable Island. The limited edition collection is considered, by myself, to be my best work. Images must have something extra special about them to be included in the collection, and all have been captured using a contemplative approach.

Here are a few images that will be on exhibit at the show.

 

 

!! Pride 2012 !!

Here are some colourful moments from Halifax Pride 2012

 

Sable Island (Nova Scotia), June 27th

I have just completed one week on Sable Island (Nova Scotia) as part of my work as a research zoologist/photographer. I had intended to create a blog during my stay, with images, but we have had issues with the internet. So, I am going to create the blog post-trip. Here is day three.

27 June 2012

The past few days have either been busy (catching seals, only three left!, and deploying instruments) or the weather has been crappy (rain). Either way, I didn’t have much drive to shoot pictures. This raises an interesting issue that I have while on Sable with my camera. Each time I visit I know I am fortunate to be there and I fully appreciate the island and what it offers. However, should I take photographs every day, every minute, regardless of my inspiration for shooting; should I force myself to go out and find something to shoot to take full advantage of my time on the island? On this trip I didn’t, which was partly due to my focus on the scientific work but also because sometimes the inspiration was not there, and I did not force it to be.

The outcome (perhaps?) is that when the inspiration arrives you are fresh and can take full advantage of those moments. This is one image that stopped me as I drove down the beach.

 

Sable Island (Nova Scotia), June 23rd

I have just completed one week on Sable Island (Nova Scotia) as part of my work as a research zoologist/photographer. I had intended to create a blog during my stay, with images, but we have had issues with the internet. So, I am going to create the blog post-trip. Here is day three.

23 June 2012

Yesterday, our second day on the island, was spent setting up the house for our short stay and gathering scientific equipment for our work. Our goal for this trip is to catch 17 grey seals and deploy a satellite transmitter and acoustic transceiver on each one with the intention to understand the social behaviour of seals at sea and how they interact with their prey and competitors, i.e. fish.

Today, the third day of the trip, we hope to catch more seals but it seems the best time is in the afternoon, when the seals have come up on to the land and are easier to catch before they head back into the water. This gives me a little time to shoot some pictures. As a wildlife photographer, Sable Island has a great deal to offer (wonderful landscapes, seascapes, sunsets, wild horses, nesting terns, etc) and it is easy to miss the simple beauty that exists around you. The image of the grass is a good example.

 

 

 

Sable Island (Nova Scotia) in June

I have just completed one week on Sable Island (Nova Scotia) as part of my work as a research zoologist/photographer. Today we (5-person team) are hoping to leave the island. I had intended to create a blog during my stay, with images, but we have had issues with the internet. So, I am going to create the blog post-trip. Here is day one.

21 June 2012

Since our intended departure on the 18th June, fog on Sable has delayed our departure. Each day, we have been on standby waiting to see if the fog clears. It is a strange mindset to be in; on the one hand your mind is already on the island, while on the other it is at home waiting to be engaged. The key is to focus your mind on where you are and continue as is until the situation changes. And it did, on the 21 June.
Once again we were on standby in the morning, but in the early afternoon the fog had cleared on the island and we were set to go. After dashing home and packing up the car with gear, we were back on standby, the fog had rolled back in, and then the flight was cancelled for the day. I unloaded the car and was about to continue my work when I received another call, the flight was back on and I was to go to the airport.
When I arrived at the airport I learnt that although the conditions were not great we were going to give it a go in the hope that the fog cleared long enough for us to land and for the plane to depart. On route we passed through stands of fog but as the island came in to view (always a marvellous sight) the fog was gone and the island was clear. We landed, removed our gear from the plane and less than an hour after the plane departed, the fog rolled back in and closed us off.

Fresh perception

In the practice of Miksang (contemplative photography), there is a phrase called ‘fresh perception’. To the practitioner, this is an experience that occurs when the mind is very calm, free of the train of thoughts, yet the eye is wide open. In this state of mind, perceptions are quite raw and lucid, the ‘capture’ process is usually very tight and clean, and the image feels ‘fresh’. This happened to me last night during dinner. I was sat by a window and looked out and saw this image. I excused myself, grabbed the camera, took the picture and then returned to dinner.

 

Street photography: week twenty-seven

“Bend the rules and play tricks with the mind; make documents of moments that have never existed.” – Peter Funch

When these moments occur I find they are full of humour. I really enjoy finding them.

Didn't you know

Glass cars

Legs

Street photography: week twenty-three

“There is a crack in everything – that’s how the light gets in” Leonard Cohen, Frederic Lezmi.

Two quite different views, one of a broken ladder taken in an old light house in Cape Breton, and the other a scene at a christening in Hove, UK.

Broken ladder

In the church

 

The mind’s eye pt.2

“There are those who take photographs arranged beforehand and those who go out to discover the image and seize it. For me the camera is a sketch book, an instrument of intuition and spontaneity, the master of the instant which, in visual terms, questions and decides simultaneously.”

Henri Cartier-Bresson 1999 The mind’s eye. Writings on photography and photographers. Aperture

In the moment

This photograph was taken while waiting for the start of the run ‘Not Since Moses’ in the Minas Basin, NS